A collage with three images, where the images show the life cycle of a basil plant. The beginning, the growth, and the dying out of a plant, in a three image collage.

An Ode to a Basil Plant

A basil plant that I had for a couple of years died this January. Since then, that plant, its life, and its unfortunate demise have been on my mind constantly. I saw my roommate bring it home. I remember putting it in a small planter for the longest time, where it languished in the corner of my living room, never quite flourishing but refusing to die. I remember coming back home from a trip, seeing its wilted leaves, and thinking that was the end. I watered it, expecting I was too late, but it sprang back into life, the leaves returning to a triumphant turgidity. 

Repotted basil plant in the middle, flanked by two pothos vines to the left and right.

I remember repotting it in the fall of 2023, feeling bad for the languid, limping life it was leading. I watched as it grew, as its roots took hold in the nutritious soil, as it grew new shoots and leaves through the months. I brought it in for the winter and put it back outside once it got warmer outside. 

The flowering basil plant.

A year passed, and in the fall of 2024, it was the biggest and most thriving it had ever been. I also noticed it had begun to flower. Little did I know those flowers were the sign of its life cycle ending. I later found out you can prune the flowers to prevent the plant from dying, but back then, I just let it do its thing. It looked so lush and healthy, and just like that, as the seasons changed, it began to wilt. I tried bringing it back inside just like before, but that didn’t work. The leaves began to wilt, the stems shriveled, and in January of this year, I had a dead and dry basil plant in my pot. 

It’s the middle of summer now, and I still have a pothos and some other plants, but I can’t stop thinking about the basil plant that survived, thrived, and then died in the span of a couple of years. Grieving a character that was ever present in the background, as I was caught up in my own life. A small story that unfolded right in front of me, a story of a life beside mine. 

On one hand, the basil plant lived life in stasis, in the small plastic planter it first found itself in. Never quite dying, but never prospering. Eking out the days in a stunted capacity. Then it got moved to a bigger pot with all the sun and nutrition it needed, and then it thrived, it flowered, but its life cycle came to a permanent end. 

I could have held it in its stasis for a while longer. I could have pruned the flowers if I knew that would let it continue its life. What I did do, is see the natural life cycle of an annual plant. I let nature take its course. A microcosm of life, a lesson in being observant, in accepting the cycle of things, and a choice: The pain of growth and loss, or the pain of being stuck where you are. 

A couple of trees with budding flowers. On the left, white flowers and buds, and on the right, a redbud tree with purple flower buds.

Spring flows in

I’ve got tired legs,
and sleep-heavy eyes,
want to lay like a bug
under a wet rock.

But the wildflower scent
hangs thin in the breeze,
and the fresh grass sways lush.

And the mellow sun
dances slowly with
the newly thawing wind.

A beautiful, flirtatious beginning
as they both
allow themselves
a gradual cascade.

A moment in time
as spring flows in,
I stop to hear
the buds
and baby leaves
babble.

I must stay awake
and keep my eyes open

To watch the slow dance
grow to a tempestuous,
torrential crescendo

To hear the leaves and flowers
scream green
and yellow, and violet.

As spring’s whispers
grow into summer’s shouts,
I’ve got to be here, now.









A soul sync

My mother’s father was an eclectic man. A man driven by a strong sense of purpose. A man who kept his interests alive within himself and expressed his interests, in the world around him. His home, his dispensary, the cars he drove… Everything.

I remember he visited us one time and went into the little brush forest land around us. It was the nineties and the land around my house wasn’t developed, so there was a lot of forest brush around. He walked in, found some dried tree branches, and took them home. He then had them varnished and put on a plinth pedestal, to use as a decorative piece in his house. Back then I didn’t really understand it.

Over the years, his flat in Mumbai has been redeveloped and renovated, and to be honest, it’s lost its soul to the clean death knell of Scandinavian minimalist modernity. In a sea of Grey white black color schemes, I fail to see the mid-century, wood-crenelated, patterned wallpaper soul that my grandfather’s house had. It’s the same building, but it’s just not the same.

Fast forward a couple of decades, I live halfway across the world, in another, very nice yet soulless, modular, indistinguishable from a million other homes abode. A nice, modern, convenient space in middle Tennessee, a product of modular modernity in the midst of a world constantly evolving into the same monotonous grey-brown nothingness due to the guiding hand of thinking, thinking men.

Nature, though, works on its own time, and on its own terms. A particularly windy day in winter-spring saw a couple of trees fall to insurmountable near hurricane-force winds. I heard the conspicuous loud cellulose crack, I heard the sickening thud of wood against the moist, semi-frozen soil.

A few weeks after nature’s show of strength, I sat on the steps at my front door, looking at the horizontal, formerly vertical trees. I see the bark falling off the trunks. I see the dry, rotting core of these once proudly standing cellulose colossus-es.

In this moment of winter-spring finally turning a new leaf into spring proper, I stared at the complex geometry of the horizontal once vertical trunks, I saw the web of branches and branch tips, and I remembered my maternal grandfather, venturing into the forest brush and picking out a branch, just like the ones a few feet in front of me.

That’s when got it. I understood the reasoning behind plucking a branch, encasing it in veneer and enamel, and making it the centerpiece of your home decor. It’s not just an eclectic conversation piece. It’s the constant reminder of man’s connection to nature, and the power that it holds over him. Despite all the modern technological marvels that build moats and isolate him from whence he came, he cannot change certain things embedded within his bones, things within his blood.

A dead tree branch is a preserved, forever reminder of the fragility of life. A reminder of the immutable characteristics of men of flesh, of men who arose from the trees and bushes from the cradle of life and civilization.

Wood is several orders of magnitude more rare than any precious metal in this universe. Life seems to be that way too, based on what we know. It’s been a few weeks since that soul-tethering moment when the tree branches bridged the gap between my and my grandfather’s memories.

A picture of a tree that fell to the ground. There are leaves, creepers, and other vines growing around it.

Spring has given way to summer. The leaves grow lush green, and the birds and the animals go about their summery business. Vines and creepers envelop the wind-felled tree and a few dry branch tips extend over the forest brush, like extended skeleton fingers.

As I sit here again, remembering my grandfather, my mind keeps coming back to his sense of purpose. He knew what he wanted to do. He knew what he liked. Everything he did had a sense of surety to it. When he took that tree branch and made it a piece of decor, He knew what he wanted, the vision in his mind was clear.

That’s what I keep trying to find in my own life. I ask myself what I want, and if I even know what I want. I spent my whole life doing what I ought to do: get degrees, focus on my career, and set myself up for the future. Now that this future moment is here, what is it that I want? I keep pondering over this question, and I keep drawing a blank every time. My mind is an empty pedestal, waiting for its own centerpiece.

A crisis of meaning in a post-modern world is a cliche, sure, but that doesn’t make it any less real. The thing about “ought to have” vs “want to have”, is that the latter is a lot more abstract for me. Sure, I ought to settle down, have a career path, and maybe even find myself behind the wheel of a large automobile, but what I want is to be loved, appreciated, and accepted. What I want is to be among friends, to be enveloped in the warm blanket of affection. What I want cannot be described within the confines of minimalist, technologically defined, and algorithmically curated sameness that pervades the physical and digital realm around me.

To slam together and paraphrase a few philosophers, authors, and a meme or two:

Life is absurdly meaningless.
Life is painfully meaningful. 
I walk the path between
These questions
And one day hope 
To find myself 
Living the answer. 

Calluses

A friend once told me
That I had it easy:
“Look at your hands,
So soft and smooth
No lines nor calluses
You’ve never suffered
A day in your life!”

I guess your hands
Don’t get calluses
When you’re trying
To keep your head above the water

No, hands don’t get callused
When you’re in the middle
Of a dark ocean
Where the water
Stings your eyes
Where the cold
Saps your strength
And you don’t know
How long before
A great white shark
Drags you
Into the depths

And I can’t
Open up my mind
To show you
The flagellation welts
From self-imposed atonement
For all my failings

And so I have
Nothing to show you
How much I suffer.
All I have
Are these words:
These frictioned, pressured,
irritated conjurations
As my testament to pain.

A Real Man

How can I become
A real man?

Maybe it’s about
doing a little jig
every time some music comes on
at a party.

Or perhaps it’s about
shooting at every awkward pause
from a quiver full of quick quips.

It could be
that I need to know when to smile
and when to be stern and stoic.

You see I’m writing an exam
and this is either
a math problem
with only one answer
Or a philosophical question
with many.  

I keep trying
to find the right answers
but I keep scribbling and erasing
and I’m almost out of time.

I finally wrote on the answer sheet:  

“I’m not a smart man
Nor a strong man
I’m not the quickest or the nicest
I’m not the fastest or the most prolific
I’m just somebody
who shows up every day,
somehow,
in my own way.

So I’m not sure how to be a real man,
I just try to be an honest one
and that’s enough for me.”

Not sure if that answer’s right
But I hope I get some marks
for showing my work.

Once again

Once again
“No Cigar”
Once again
Suffer more

	Once again
	Fall over
	Once again 
	Dirt wallow

Once again
Sadness shakes
Once again
Anger stings

	Once again
	Left behind
	Once again
	No reprieve

Once again
Shot called
Once again
Shot missed

	Once again 
	Point blank
	Once again
	Shallow grave

Once again
Fingers scratch
Once again
Claw earth

	Once again
	Shamble out
	Once again
	See light

Once again 
Shielded eyes
Once again
Weary steps

	Once again 
	Starting line
	Once again
	“The Race”.

Losses

I’m taking a lot of losses this year.
I’m taking them
Out of cold storage,
Where I kept them on ice
For years and years
Because I never tried,
Never played,
Never chanced at winning;
So the losses destined in my fate
Went into icy stasis
Waiting to be thawed,
Until now.

Now I stand in the ring
My hands behind my back,
My chin stuck out
Inviting the universe to punch me:
To knock me out in one hit like a prime Mike Tyson,
And then watching
As the universe dodges every wild swing,
Like Mayweather.

I eat my losses,
Thawed like microwave dinners
Humbly, every day and night.
And every loss consumed brings with it
Cycles of catharses,
Like spiritual enemas,
To clean me out from within.

One day
I’ll run through the backlog of losses,
And my mind, body, and conscience
Will be crystal clear.

From then on,
Every new loss will be full of hope,
And every win,
Free of guilt.

Intense Face

I always wanted to appear
As an intense and brooding, mysterious guy
When I was younger.

And so I never smiled
Whenever anyone took a picture of me.
And so in all of those pictures
I have a sullen, almost forlorn look.

An attempt at creating an air of enigma,
An experiment aimed at generating curiosity,
An innate desire to be asked
What my deal was.

But nobody looked,
Nobody cared,
And nobody asked.

So these days I smile and grin,
Make all sorts of weird and funny faces,
Wear all kinds of outlandish clothes and hats and glasses,
Do everything to amuse my own self:
Everyone else’s too busy looking at their own, anyway.

Every Day

Every day I try,
Every day I fail.
Every day I pry
At sealed jam-jars of fate
Till my fingers turn pale.

Every day I lie
Motionless in bed,
Circling thoughts of tasks so dry,
Inside my pillowed head.

Every day I try,
Every day I fall
Into thoughts of cries
Over bitter goodbyes,
And mental shadows brawl
Over unanswered calls.

Every day my arms too weak,
To grasp or change or mold,
Every day my mind too full,
Of skeletons frigid cold.

Every day, a chain-bound strain,
Wading through rivers of lead.
With every stride, my strength wanes,
As I barely reach the beachhead.

Every day I try,
Wrestle with all the whys,
Every day the pain,
Of things I can’t attain,
Every day a fight,
Hide inner blight behind an “I’m alright”.

Every day I’m knocked to the ground,
Black-eyed and blood-stained,
Yet the gloves go on, and the hands go up,
Every day, again.

Pebble in a stream

My mother always says
That I’m like a pebble in a flowing stream.
Letting the water flow over me,
Absorbing none of it.

Maybe I am a pebble:
Born of magma, thrust
From the belly of the earth
Violently onto the surface
Then exposed to wind, rain, and sun.

A giant basalt expanse
That slowly weathers away
Windswept,
Water worn,
And Sunburned.

Most of it turns to dust,
Some of it gets dug up
And turned into statues or floors
Or money or fuel

But a few little bits
Find themselves in streams
Streamlined and rounded
Zen symbols of calm and peace

A cool and uncaring existence
An acceptance of fate
A passive resignation
Appearing un-influenced by its surroundings,
While being constantly shaped by them.

So the water flows over me
A constant stream
Of babbling screams
Flowing from infinite, insane mouths,
Into bottomless, obscure oceans.

In that stream, I appear
Untouched, unperturbed, unaffected
But every passing moment,
The water flows and chips away at me.

Words, like tiny daggers,
Grind magmatic memories into silt.
Every nonapology,
Every thoughtless comment,
Every unmeant thank you,
Every missed connection,
Every stone left unturned,
And every conversation that petered out
With a “No, I’m good, thanks.”